陕西刺绣是我国刺绣的源流之一，其技艺在千百年的传承中与陕西地域文化形成了深厚的联结与融合，并逐渐形成了独具特色的陕西民间刺绣技艺，陕西人民的豪放与热情、乐观和淳朴等人文风情也成就了陕西民间刺绣技艺淳朴厚重的风俗特点。

本文探讨了陕西民间刺绣的文化内涵和历史渊源，提炼出具有代表性的文化元素和设计符号，为现代文创设计提供了重要的文化资源和设计素材。同时基于文化因子和设计符号的分析框架，提出关于陕西民间刺绣文创的设计方法，从陕西民间刺绣传统文化因子的提取到文创产品设计符号的转换两个方面入手，从而达到对陕西民间刺绣这一传统文化进行传承和创新的目的。

本文首先介绍了陕西民间刺绣的起源和主要流派特征，以及陕西民间刺绣与文创之间的相互关系，其中详细阐述了陕西民间刺绣的表现内容、构成方法和色彩特征。此外，还探讨了刺绣与婚嫁习俗、地方民俗崇拜、五行礼制与阴阳学说以及刺绣的功能与寓意等方面的文化内涵，这些内容为后续的陕西民间刺绣文创设计方法研究提供了必要的前提条件。再次，分析了现代审美需求与陕西刺绣融合的难点以及陕西民间刺绣意象形态和具象形态的提取与转换，进而明确文化因子与设计符号之间的关系，进一步探讨有关陕西民间刺绣文创的设计方法，在基于文化因子和设计符号分析框架的前提下，对陕西民间刺绣进行文化分析、文化因子提取、文化因子的设计符号转化以及最后文创产品的设计表达研究，并且通过对陕西民间刺绣文创的实践探索研究，验证了该方法的可行性，进一步丰富了有关陕西民间刺绣方面的理论体系，深化陕西民间刺绣文创的问题研究，完善基于陕西民间刺绣文化背景下的文创设计方法，具有一定理论研究意义。

Shaanxi embroidery, one of the origins of embroidery in China, has formed a deep connection and integration with the regional culture of Shaanxi through centuries of inheritance. It has gradually developed into a distinctive folk embroidery technique with unique characteristics. The cultural charm of Shaanxi people, including their openness, enthusiasm, optimism, and simplicity, has also contributed to the rustic and profound characteristics of Shaanxi folk embroidery.

This article explores the cultural connotations and historical origins of Shaanxi folk embroidery, extracts representative cultural elements and design symbols, and provides important cultural resources and design materials for modern cultural and creative design. Based on the analysis framework of cultural factors and design symbols, it proposes a design method for cultural and creative products based on Shaanxi folk embroidery. This method involves the extraction of traditional cultural factors from Shaanxi folk embroidery and the transformation of design symbols for cultural and creative product design, aiming to inherit and innovate the traditional culture of Shaanxi folk embroidery.

The article first introduces the origin and main characteristics of Shaanxi folk embroidery and its relationship with cultural and creative industries. It provides detailed explanations of the content, composition methods, and color features of Shaanxi folk embroidery. In addition, it explores the cultural connotations of embroidery in relation to marriage customs, local folklore worship, the Five Elements ritual system, Yin and Yang theories, as well as the functions and symbolism of embroidery. These discussions provide necessary prerequisites for the subsequent research on design methods for cultural and creative products based on Shaanxi folk embroidery.

Furthermore, the article analyzes the challenges of integrating modern aesthetic demands

with Shaanxi embroidery and the extraction and transformation of imagery and forms in Shaanxi folk embroidery. It clarifies the relationship between cultural factors and design symbols, and further explores design methods for cultural and creative products based on Shaanxi folk embroidery. Within the framework of analyzing cultural factors and design symbols, the article conducts cultural analysis of Shaanxi folk embroidery, extraction of cultural factors, transformation of cultural factors into design symbols, and finally, research on the design expression of cultural and creative products. Through practical exploration and research on cultural and creative products based on Shaanxi folk embroidery, the feasibility of the proposed method is verified, enriching the theoretical system related to Shaanxi folk embroidery, deepening the research on cultural and creative products based on Shaanxi folk embroidery, and improving the design methods based on the cultural background of Shaanxi folk embroidery. This has significant theoretical research significance.

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