沥粉贴金是中华传统装饰工艺之一，历史悠久且应用领域宽广。但学者对此工艺的研究多建立在技法和材料上，较少从沥粉贴金的材质、色彩、图案、位置、空间及人文精神等方面进行理论研究的探索和深入分析。视知觉理论是一种分析视觉表现、视觉美学且应用到艺术、建筑等视觉感知领域的理论。本文以视知觉理论为研究基础，通过分析沥粉贴金的外在物理表现和内在心理表现，归纳总结视知觉理论和美学理论在此工艺上的运作和表现。

研究的主要成果和创新点如下：（1）对“格式塔”心理学、鲁道夫·阿恩海姆的视知觉理论、动力理论及表现形式进行了简要的梳理和归纳，阐述视知觉做为沥粉贴金研究理论基础的原因。（2）将视知觉理论中“力”的影响因素应用到沥粉贴金的研究之中，结合沥粉贴金中经典或特征明显的案例，了解沥粉贴金中视知觉“力”的表现。（3）阐述视知觉理论中“力”的运用、“力”的平衡及美学相关理论，同样结合沥粉贴金的案例进行分析归纳，了解到沥粉贴金中心理平衡和物理平衡的和谐共存及统一。（4）基于视知觉理论分析沥粉贴金运用的可行方法，完成沥粉贴金的运用实践，验证了视知觉理论及美学理论在沥粉贴金应用实践过程中作为理论指导的可行性和有效性。

研究发现，通过视知觉理论和美学理论相关法则的运用，可以对沥粉贴金的物质形态等视觉要素及内在文化含韵进行全面的分析和设计把控。因此，视知觉理论是一个较为科学客观的方法，为分析沥粉贴金的视觉效果和设计应用等提供有效可行的分析工具和设计指导方法，为沥粉贴金的传承和发展提出一种新思路。

As one of the traditional decorative techniques in China, gelled patterning and gilding has a long history and a wide range of applications. However, scholars' research on this technology is mostly based on techniques and materials, and less theoretical research and in-depth analysis are conducted from the aspects of material, color, pattern, location, space and humanistic spirit. Visual perception theory is a theory that analyzes visual expression, visual aesthetics and applies it to the field of visual perception such as art and architecture. Based on the theory of visual perception, this paper summarizes the operation and performance of visual perception theory and aesthetic theory in this process by analyzing the external physical performance and internal psychological performance of gelled patterning and gilding.

The main achievements and innovations of the research are as follows: (1) the "Gestalt" psychology, Rudolph Arnheim's visual perception theory, dynamic theory and forms of expression are briefly combed and summarized, and the reasons why visual perception is the theoretical basis of the research on gelled patterning and gilding are expounded. (2) The influencing factors of "force" in the theory of visual perception are applied to the study of gelled patterning and gilding, and the performance of "force" in gelled patterning and gilding is understood by combining the classic or characteristic cases in gelled patterning and gilding. (3) This paper expounds the application of "force" in the theory of visual perception, the balance of "force" and relevant aesthetic theories, and also analyzes and summarizes the cases ofgelled patterning and gilding to understand the harmonious coexistence and unity of psychological balance and physical balance in gelled patterning and gilding. (4) Based on the theory of visual perception, this paper analyzes the feasible methods of the application of gelled patterning and gilding, completes the application practice of gelled patterning and gilding, and verifies the feasibility and effectiveness of visual perception theory and aesthetic theory as theoretical guidance in the application practice of gelled patterning and gilding.

The study found that through the application of the relevant rules of visual perception theory and aesthetic theory, we can comprehensively analyze and design the visual elements such as the material form and the internal cultural rhyme of gelled patterning and gilding. Therefore, the theory of visual perception is a more scientific and objective method, which provides effective and feasible analysis tools and design guidance methods for the analysis of the visual effects and design applications of gelled patterning and gilding, and puts forward a new idea for the inheritance and development of gelled patterning and gilding.

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